Jus' sayin'!
The Interstate 5 Bridge over the Skagit River in Washington state collapsed around 7 p.m. on Thursday, dumping cars and people into the water.
This, folks, is embarrassing.
The EU's Scheme
Climate Policies Must Break Free From Big Oil
by DAVID CRONIN MAY 22, 2013
It seems an odd time for environment policy wonks to throw a party. The level of carbon dioxide in the earth’s atmosphere is higher than it has been in three million years, according to the National Oceanic and Atmospheric Administration in the US.
That sobering news hasn’t stopped the organisers of Carbon Expo in Barcelona from promising a celebration when the annual event is held for the tenth time at the end of this month. Ardent defenders of the polar ice caps like Shell and Statoil will spend the day gazing at mathematical models about the ideal price of pollution. After all those cerebral chinwags, they will surely have worked up an appetite for tapas and sangria.
On second thoughts, maybe it is apt for the oil industry and its chums in the world of finance to kick up the high life as the climate breaks down. For they have been dexterous enough both to cause that breakdown and to present themselves as the cure to it.
The big “green” story here in Brussels lately hasn’t been the perilous state of the planet but the problems befalling the EU’s emissions trading scheme. Although the scheme has proven to be disastrous in terms of mitigating climate change, it has helped entrench the idea that heat-trapping gases should be considered as a tradable commodity. Because there are people out there who stand to make millions from carbon transactions, it’s not surprising that they want to salvage the Union’s scheme.
The International Emissions Trading Association (IETA) is arguing that the scheme “should remain the EU’s central climate policy instrument.” In fact, it’s so gung-ho in its support for this market-based mechanism that it is advocating that similar systems should be established as a result of global talks.
Among IETA’s members are Goldman Sachs, JP Morgan, Shell, BP and Total. I seem to recall that the first two villains helped to cause a global financial crisis and that the latter three sell fossil fuels, the principal source of carbon dioxide in our skies. Are they really in a strong position to decide what should be the “central” policies on climate change?
Unfortunately, they are. The prototype of the EU’s emissions trading scheme, as it happens, was developed by BP. While he was still chairman of that firm, Peter Sutherland, was hired as an adviser on climate on energy to the European Commission’s chief José Manuel Barroso during the early stages of the scheme’s implementation. It is an “instrument” both designed by fat-cats and played with the intention of pleasing them.
The agenda for the Carbon Expo boasts a session titled “learning from the legends.” The “legends” referred to here are emissions trading and the international Clean Development Mechanism (CDM) that it supports.
Is this supposed to be a joke?
One of the most disgusting aspects of the EU’s climate change policies is that they rely largely on “offsetting.” Under this dubious concept, it is fine for power plants on this continent to belch out as much pollution as they want, provided some money is given to environmentally-friendly projects in poorer countries. This is akin to buying a nice present for your friend who has given up smoking instead of you.
Rules applying to the EU’s scheme allow for up to half of all emission “cuts” financed by it to be achieved via the CDM. Newly published data from the European Commission indicates that this form of offsetting is on the increase. In 2012, offsets accounted for one-third of the “compliance commitments” made by firms taking part in the trading scheme, compared to 13% the previous year.
Many of the projects being funded are anything but clean. A “high-level panel” overseeing the CDM – which includes a European Commission representative, as well as ministers from Japan and South Africa – published an assessment on its performance last year. The report warned that the CDM could lead to a “net increase” in global emissions of greenhouse gases. It suggested that the mechanism is being widely used to support coal-fired projects, particularly in India and China. Energy efficiency has been “almost entirely left out” of the CDM, the report added.
In a few weeks time, members of the European Parliament will decide whether or not they should endorse the continuation of the emissions trading scheme. The best thing our elected representatives could do is to bury the scheme. Trying to revive it would be irresponsible.
There is a salutary lesson here. Saving the planet requires what Americans call “big government,” not a dodgy market mechanism.
There is an urgent need to go back to the drawing board, not to tinker with a system fashioned by BP.
Fortunately, there are sensible policies being followed in parts of Europe. Germany has increased the share of renewables in its energy mix from 6% to 25% over a decade. A law guaranteeing priority to the grid for renewable energy has provided the incentive for this rise. Local communities have been able to break free from relying on oil giants.
This breakthrough means that emission cuts can be achieved on European soil, rather than exporting our pollution control problems to somewhere else. It is telling that this breakthrough has had nothing to do with emissions trading.
If the EU keeps doing the same thing, it will keep getting the same results. This approach might prove fruitful for Goldman Sachs and BP. But it won’t stop the earth burning. more
Who was Wagner? On the composer's 200th birthday
The poet, director, conductor, author and, most importantly, composer, born on May 22, 1813 in Leipzig, remains a riddle to many. Two hundred years after his birth, the debate goes on.
DW.DE 22 MAY 13
More has been written about him, it's often said, than about anyone else in history apart from Jesus Christ and Napoleon Bonaparte. Two hundred years after his birth, Richard Wagner is a much-discussed subject. Some see him as the genius who created the "total work of art." Others reject him for his anti-Semitic writings. In any event, his operas are performed today more often than ever before.
He came from a middle-class family. The father, Carl Friedrich Wagner, was a police actuary; his mother, Johanna Rosine Pätz-Wagner, a baker's daughter. The boy, baptized Wilhelm Richard Wagner, was interested in theater from early childhood.
Music of the future
Initially he wanted to be a poet and playwright. But seeing Beethoven's opera "Fidelio" at age 16 resulted in a change of career plans: He decided to be a composer. As early as 1831, as a student of music, he planned his first opera, for which he penned the text himself - an approach he was to take for the rest of his life.
By 20, Wagner was directing the Theater in Magdeburg. There he fell in love with the actress Minna Planer. They married in 1836 and had no children. Riga and Paris were the next stations in the life of the itinerant artist, who was plagued by financial worries and pursued by creditors.
The Wagners lived in Paris under dire circumstances, yet he was able to complete his early operas "Rienzi" and "The Flying Dutchman" there. His interest in the leftist revolutionary currents of the era dates from that time.
In 1842, Wagner moved to Dresden, where he became court composer. In October came a musical breakthrough: the premiere of "Rienzi." Always working on various works simultaneously, he began to develop the vision of a new blend of words, music and action into a "total work of art." The goal: nothing less than "the unconditional, immediate depiction of human nature in a state of completion."
Deus ex Machina
In a recent interview with DW, his great-granddaughter Katharina Wagner put it in these words: "In Wagner's works in particular, it's all about the basic elements of human existence and of basic qualities like jealousy, power, love, and hate. Those are of course things that will always be timely and move us as long as humanity exists."
In May 1849, the composer participated in a grass-roots rebellion in Dresden, after which he became a wanted man and was forced to leave Germany. Then in 1864 - back in Germany and in despair and financial straits - he was close to suicide. At that point a letter from the new King of Bavaria, 18-year-old Ludwig II., arrived. The king offered his full support and continued to do so for the rest of Wagner's life.
In the little Bavarian town of Bayreuth, Wagner eventually found the location for his vision. Far from the bustle of big-city life, in a self-designed festival theater, audiences were able to concentrate totally on the combination of music, stage action and scenery. That happened for the first time in August 1876 at the premiere of Wagner's four-opera cycle, "The Ring of the Nibelung."After many affairs before and after the death of his wife Minna, Wagner lived in Tribschen, near Lucerne, with Cosima von Bülow, daughter of Franz Liszt and wife of the conductor Hans von Bülow, one of his friends and promoters. Three children were born before the couple finally married.
The first Bayreuth Festival was a financial disaster and an artistic fiasco, yet Wagner was able to stage the second edition in 1882. Only a single work was performed then, his final one, "Parsifal." He died on February 13, 1883 in Venice.
What does Wagner stand for?
Was he a socialist? A National Socialist? How are his wide-ranging writings to be interpreted? Nearly every statement made by the composer seems to be contradicted somewhere else. What is the message of the music? Does it, like some of his writings, contain elements of anti-Semitism?Why the fascination with Wagner still today? One of the most influential composers ever, his late-Romantic music has always had an emotionally stimulating quality. Most people react either with rejection or enthusiasm; few are indifferent. Wagner's goal was to revolutionize theater and opera, but he became ensnared in a political revolution and later identified with ultra-nationalistic Germanism.
What did Wagner advocate? In the final analysis: himself. "Networker" and "self-promoter" can be added to the descriptions of the multi-talent, who forced his art onto a world that didn't want it. Today, however, the world is grateful.The debate goes on, but for conductor Christian Thielemann, there is no debate. "You can't politicize music," he told DW. "It's always been a big misunderstanding. And a choice of tempo in 'The Mastersingers of Nuremberg' has nothing to do with politics. You have to perform it for the sake of the work. If you approach it with some sort of intention, it's a shame, or completely wrong." more
Pritzker’s net worth is listed in Forbes as $1.8 billion, which is one hell of a heavy magic wand in the world of politics. Her wand would have been heavier, and her net worth higher, except that in 2001, the federal government fined her and her family $460 million for the predatory, deceitful, racist tactics and practices of Superior, the bank-and-loan-shark operation she ran on the South Side of Chicago.There were also a couple diaries on DailyKos, including by front pager Laura Clawson, who called attention to Pritzker's and her family's role in Hyatt Hotels, which has compiled what may be the worst records of labor abuses in the hotel industry. Incredibly, just to prove, I suppose, how hopelessly uninformed, ignorant, and unaware liberals and progressives can be, someone posted in one of the first comments, "She's not the monster you think she is."
Superior was the first of the deregulated go-go banks to go bust – at the time, the costliest failure ever. US taxpayers lost nearly half a billion dollars. Superior’s depositors lost millions and poor folk in Sen. Obama’s South Side district lost their homes.
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